Always Ascending, Franz Ferdinand's fifth studio album, maintains their signature indie-rock flair but struggles to remain relevant.
Doc Martens, big glasses and short haircuts predominated at Diet Cig's January 30th show at The Garrison with Lala Lala and The Spook School.
We caught up with Alex Luciano, vocalist and guitarist of Diet Cig, before the feminist pop-punk duo heads out on their North American tour for their first full-length album, Swear I'm Good At This.
“Turn”, the latest single from Liverpudlian indie rockers The Wombats, is a catchy, light-hearted tribute to a crazy girl.
Surfer Blood's show on August 16th at the Hard Luck Bar was the act of a well-coordinated band who knows how to have a good time in an intimate venue.
We caught up with Surfer Blood frontman John Paul Pitts, better known as JP, during the tour for their 4th studio album, Snowdonia.
TFOB 2017 was filled with beer, Sloan, and... more beer. Read on for our full review!
We caught Japanese Breakfast at Toronto's Velvet Underground on July 7th for a synth-y, captivating show.
Damsky's sound has potential, but they’ll need to clean up their act if they want to gain wider popularity.
We sat down with Victor Solf and Simon Carpentier, French duo Her, to chat life and love on the road.
“Risk Taker”, the latest single by Brooklyn duo The Golden Pony, is the kind of song that’s perfect for a road trip but doesn't really stand out.
Given the strength of every single song on Royal Blood's debut, expectations surrounding their second album were high... and unfortunately, it didn’t quite meet them.
Ultimately, the single provides a solid teaser for the album to follow (hopefully soon!) but isn’t a standalone success.
Franz Ferdinand at the Danforth on a Friday night—could there be a better way to start the weekend? After last week’s show, it’s hard to think of one.
Although the opening chords and background beat are catchy, for the most part, this song is pretty banal.
May 30th marked Ho99o9 and Injury Reserve's powerful show at Toronto's Velvet Underground. That wasn’t all, though. It’s hard to say what was more captivating: their primal screams and politically charged bars, or their stage presence.
Canadian rockers Minotaurs come out swinging in their latest album, AUM, an ominous journey of psychedelic indie rock. Although it’s short, its rhythm and funky sound will leave listeners wanting more.
“Where Did All The Love Go?”, a single from Los Angeles trio The Rebel Light, is a poppy elegy to the good old days and the way things used to be.
Destructo's forceful remixes and collaborations, bridging the gap between hip-hop and EDM, charged the room and filled the air with electricity.
This Old Dog, the Canadian singer-songwriter’s third full-length album, demonstrates a maturity and sense of wisdom not previously overheard in his music.