With a new album out via Hells Headbangers, and a recent US tour, it was high time we caught up with Whipstriker’s Victor Whipstriker to chat about his thrashing, gnashing baby, during which he recalled what is quite possibly the greatest album recording story ever.
Speedclaw guitarist Luka Jurisic discusses his band’s recent release, Beast in the Mist, signing to Shadow Kingdom Records, mini-albums, Croatian claws and “the way metal was meant to be.”
Angel Witch recently issued Seventies Tapes and in celebration thereof have a one-off Toronto show on May 16th! We caught up with guitarist/vocalist Kevin Heybourne to talk demos, metal, and much more.
There’s a reason myself and other greybeards shelled out $15 a pop to see Thrill Jockey noisemakers Lightning Bolt, and it’s the same reason people are dipping into their kid’s college funds for Slayer’s upcoming final tour
With their sophomore album It’s Hard to Have Hope due out May 25th via Translation Loss, Holy Roar, and Tokyo Jupiter, it was high time we caught up with Bristol, UK heavies Svalbard.
Kicking off its second album with a song called “Dice Throwers and Rock n’ Rollers” almost has the band daring skeptics and critics to come at them (bro).
These Italians have no problem revealing to the world that what they do is little more than a re-hash of days gone by.
TARLD’s third album does take blatant steps towards a more palpable and populist sound. However, there’s still a connection to punk rock’s rebellious underbelly which has the propensity to get lost behind the finely tuned sonics.
Total Terror is a holistic celebration of one of the unsung creative heroes of late ‘80s speed/thrash metal.
It’s almost like [b.abuse] approach writing music like a rioting mob approaches a smash and grab; no one’s really thinking about what they actually need, everyone just grabs whatever’s within arms reach because it’s there and free.
Designed to Disappear, for all the lineup alterations the band has made and the impact they’ve had, is the sound of a band in transition.
We caught up with The Atlas Moth vocalist/guitarist Stavros Giannopoulos to discuss the luxury of time, death metal hulks, and why this interview almost came to a screeching halt.
Originally self-released in mid-2017 for the digital realm, At The Announcement and The Communion are examples of how this band’s determination and moxie has paid off.
The Nika Riots toy with a sound that’s not as raw as the gristly and patch-strewn side of the hardcore scene would prefer, but do an admirable job of connecting the dots between the darker, minor key moods with major keys painted in day-glo colours.
The unquenchable thirst of these sudsy German thrashers isn’t the only curiosity that has propelled their 35 year career.
Louisiana’s Cane Hill is a band that writes music that flirts with both sides of the fence and, depending on your perspective, is dancing on a fine line. So, how does this album hold up?
France’s Bind Torture Kill, a three-piece that sounds infinitely larger than their bass-less line-up presents.
If there’s a glaring weakness to this band’s debut full-length, it’s the skittish and perpetual search for an identity that never gets resolved.
We caught up with Sannhet guitarist John Refano to discuss their latest album, So Numb, out via Profound Lore.
Metal-Archives.com shared a photo which prompted us to look a little closer at the wacky-but-awesome community of Europeans Metalheads.