Twingiant return with a re-issue of Mass Driver after last year's awesome Blood Feud. It's low and slow, but is it as good an accompaniment to any barbecue?
The eclectic soundscapes of Huntsmen's American Scrap are not to be missed.
Loathe and Holding Absence team up for split EP, This is as One, but do the band's two sounds complement each other? Or is this as two?
King Witch’s full-length debut is a resounding success. It talks of hell, sacrifice and Scotland, put to a classic metal soundtrack that incorporates some more modern sounds.
Ataraxy's Where All Hope Fades is a decent metal record that's built around the odd bit of quality songwriting, but you may just struggle to sit through the entire thing.
The dark sounds Atomwinter bring to the table in Catacombs are enjoyable, but it becomes bogged down in rigid structure, making for a disappointingly repetitive record.
RavenEye’s palpable energy is infectious. Whenever you see them, wherever you see them, you’ll leave with a big grin slapped across your face that will stay there for weeks.
Eye Of The Destroyer's latest EP, Starved and Hanging, is full of brutality, but devoid of much substance.
Nothing can prepare you for what comes screaming towards you at 100 mph with Scaphism’s Unutterable Horrors.
Doom Side of the Moon are back with an Encore, and better than before.
Witchcryer's debut record, Cry Witch, brings you doom just how you like it - laced with riffs, riffs, and more riffs.
Xenosis mixes a good amount of smarts with a healthy dose of heart and applies a touch of brutal heaviness to finish things off nicely with Devour and Birth.
Extermination Process is a disgustingly brutal album, full of crushing riffs and rage-imbued lyrics, but it doesn’t do a whole lot to impress.
Blind to Reality is a competent enough death metal record, but it does nothing to stand out from the crowd.
The Hour Be None is a decent record, helped by the countless quality riffs, atmospheric moments and general doom on show.
Both songs provide you with pure death metal bliss. They are monstrous tracks, full of power, depth and incredible musicianship. Engulf is the real deal!
If you ever thought your death metal needed more flamenco influences then Impureza’s La Caída De Tonatiuh is definitely for you.
Samarkind’s debut record is short and sweet hard blues rock, with eight tracks that are all good fun, but it does little to stand out from the pack.
Evolve or Die is a quality heavy, chunky groove metal album along the lines of Lamb of God.
Chaosvolution is an okay record built upon a solid enough foundation, but I wish Absalem embraced a darker, heavier sound.