Propagandhi
Propagandhi’s latest full-length since 2005 is full of the same spiteful vigour loaded into all of those before it, though the album as a whole is arguably the best output from the band this decade. One of Propagandhi’s strengths as a band has always been their ability to combine the spit-in-your-face swagger of punk rock with some breakneck pacing and surprisingly technical instrumentals usually ignored by their contemporaries.
The record kicks off with “Night Letters,” which thankfully wastes no time delivering a does of unfiltered angst via some really metal-influenced guitar leads and gutsy shouts from Todd Kowalski. The intensity doesn’t let up over the next few tracks, with Chris Hannah taking back the mic for vocal duties. “Supporting Caste” sees Hannah wrestling with the barbarities of history, while subsequent tracks find him dipping back into the familiar topics of religion and war.
The album arguably hits its high point with “Dear Coach’s Corner,” featuring a dizzying whirlwind of an opening guitar lead setting up Hannah for a settled, sing-able verse that finds him discussing militant politics against the seemingly innocent backdrop of hockey. The combination of the overdriven sticato licks with Hannah’s surprisingly smooth vocals make this track a real standout.
Its climax passed, the album certain doesn’t let up any intensity, keeping up with both the technical and aggressive guitar work and socially-aware lyricism. While at times, perhaps most evident in a track like “Human(e) Meat,” Hannah is a tad overindulgent with his message, although the fact that he has one at all and makes his conviction both clear and consistent lets it pass. Let’s face it – it’s nice to have some punk ideals injected back into punk rock.
With “Last Will & Testament,” an ambitious track with a steady instrumental build-up to one final blast of aggression, the record concludes in a similar fashion as it began (save for the secret song). Short but savage, Propagandhi once again proves that on top of a fuck-you attitude, a great punk record is allowed to be well produced and technically proficient, too. [ END ]
Track Listing:
01. Night Letters
02. Supporting Caste
03. Tertium Non Datur
04. Dear Coach's Corner
05. This Is Your Life
06. Human(e) Meat (The Flensing of Sandor Katz)
07. Potemkin City Limits
08. The Funeral Procession
09. Without Love
10. Incalculable Effects
11. The Banger's Embrace
12. Last Will & Testament
Run Time: 52:20
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“While at times, perhaps most evident in a track like “Human(e) Meat,” Hannah is a tad overindulgent with his message, although the fact that he has one at all and makes his conviction both clear and consistent lets it pass.”
Really?
If there’s one thing that has been the most standout thing about Propagandhi since their inception in the early 90s it’s their “indulgent” political lyrics, most dripping with outrage. I mean the whole “Less Talk More Rock” album is anarchist polemic, and while more recent albums involve fewer slogans and more current events, they are all about politics.
Hey Jacqueline,
I completely agree with what you’re saying, and understand that Propgandhi has never backed down from offering a very strong discourse with their lyrics; however, I’m reviewing this title isolated from the rest of the band’s catalogue. While, as you can see, I’m a big fan of the disc, there are times where Chris’ lyrics are just too far beyond to even resonate with me, whether I agree with his stance or not. Prop’s politics are indeed part of what make them the band they are, but as a reviewer tackling this album on its own merit, there are parts that I just wasn’t feeling, be it a Prop record or not.
Nice to have intelligent commentary – kudos, and hopefully we can agree to (kind of) disagree.
If you read Sandor Katz’ book (the guy Human(e) Meat is about) there is a chapter titled “Humane Meat” which the lyrics of the song are pretty much taken out of, but with Sandor himself (jokingly…I think…) placed in the position of the animal to illustrate that killing is not technically “humane”. I thought the song was a little over the top too until investigating this fact. Of course that’s not your job as a reviewer to track down the meaning behind every song, but check it out anyway! They did a pretty good job of rewriting his logic.