We spoke at length with Lisa Voisard, lead vocalist of the technical death metal band Anachronism, about the group, their beginnings, and absolutely stunning album, Orogeny, out since July, 2018.
Due March 8th via Nuclear Blast, Hexed, the eagerly-anticipated tenth studio album from Children of Bodom, rings out with the inherent playfulness and reckless energy of the Finnish melodeath legends.
Catherine Fearns chats with Christophe Godin, frontman of French progressive jazz-rock-metallers MÖRGLBL, about a range of issues, including their new album The Story Of Scott Rötti, and Christophe’s life as a guitar teacher at the École des Musiques Actuelles.
With their first anthology, One, new Leeds, UK-based digital black metal label Cult of Osiris have succeeded in demonstrating that new bands from the black metal underground can hold their own against established players.
On their second full-length, Earthbeat, due via Tenacity Music, Switzerland’s Colossus Fall successfully manage to combine progressive metal’s discordant experimentalism and sludge’s filthy riffs with the infectious, driving urgency of hardcore.
It’s not an easy task to create uplifting hardcore music, but CardiaC undoubtedly achieve just that. Their latest offering, Mañana No Serà Otro Día Igual, via Tenacity Music, is bone-crunchingly heavy throughout, and the driving energy never lets up.
To celebrate its tenth anniversary, Eluveitie’s Slania is being re-released via Nuclear Blast; it’s a welcome opportunity to appreciate a band that are an important part of Switzerland’s musical identity.
Geneva trio Cortez combine noise with precision to create an absolute monster of a metal album. No More Conqueror is an unrelenting explosion of controlled anger, with unusual riffs, complex drumming and breathless energy all underpinned by massive production values.
With their third full-length release, Promethee have pulled out all the stops. Convalescence (Lifeforce Records) is another great example of Swiss ingenuity and deserves to garner the band plenty of international attention.
Hailing from Basel, Switzerland, we spoke with members of noise rock band Asbest about their new album Driven, transgenderism, gender equality and more.
Slay Duggee and their spin on heavy metal directed at young children may not be for everyone, but the band has brought a much needed lighthearted mood to the genre. We learn more about what this intriguing act is all about.
Other than lines such as “All I wanted was to be warm and noticed”, The Rogue To Nowhere contains little about Jason’s music; this is all about the drugs, girls and addiction. A stand-out memoir from a musician who has spent much of his career in the background.
And All Will Be Desolation, the second full-length release by Allfather, who hail from Kent in the UK, is a rallying cry and a targeted piece of aggression.
At times beautiful and profound, Coldbound’s The Gale undoubtedly achieves what it sets out to do, providing a journey into mental health that is soundtracked by emotionally intense melodic death metal.
When a concept album works, it really works, and Tremonti’s brave artistic vision has resulted in a hard rock showcase of the highest quality. The book will be a must-read, too.
Kess’khtak have undoubtedly developed their own unique sound of beastly deathgrind, but they form part of a proud Geneva extreme metal tradition which stretches back more than twenty years. Their new record, Unwritten Rules Prevail, is out now via Art Gates Records.
Thrashist Regime have packed their second album Carnival Of Monsters with songs about the A-Team, X-COM, zombies, ants invading Antarctica… and a breathtaking array of riffs and solos.
Zatokrev frontman Frederyk Rotter discusses his band’s gnarly live show, all things noise, the re-release of their self-titled album, and the music scene in Basel, Switzerland.
We spoke with Power Trip frontman Riley Gale about the Texan crossover thrashers’ Southern Lord release, Nightmare Logic, the fate of humankind, and upcoming Adult Swim single.
We spoke with Venom Prison vocalist Larissa Stupar about her band’s Prosthetic Records release, Animus, #MeToo movement, touring with Trivium, and epic Eliran Kantor cover art.